Installations
Works
  • Kantzonen (The Edge Zone)
    Pauline Fransson
    Kantzonen (The Edge Zone), 2024
    Tempera, oilstick and oil on canvas
    150 x 120 cm
  • Snöblind (Snowblind)
    Pauline Fransson
    Snöblind (Snowblind), 2024
    Tempera, oilstick and oil on canvas
    150 x 120 cm
  • Kurran I
    Pauline Fransson
    Kurran I, 2024
    Tempera and oil on canvas
    120 x 85 cm
  • Det växter om natten (It Grows at Night)
    Pauline Fransson
    Det växter om natten (It Grows at Night), 2024
    Tempera, oil, oil stick and graphite on canvas
    120 x 85 cm
  • Kurran II
    Pauline Fransson
    Kurran II, 2024
    Tempera, oilstick, oil and graphite on canvas
    120 x 85 cm
  • Bugningen (The Bowing) I
    Pauline Fransson
    Bugningen (The Bowing) I, 2024
    Tempera, oilstick, oil and graphite on canvas
    85 x 120 cm
  • Vilan (The Rest)
    Pauline Fransson
    Vilan (The Rest) , 2024
    Tempera, oilstick and oil on canvas
    60 x 50 cm
  • Det uppgrävda (The Excavated)
    Pauline Fransson
    Det uppgrävda (The Excavated) , 2024
    Tempera, oilstick, oil and graphite on canvas
    60 x 50 cm
  • Svedan (The Burning)
    Pauline Fransson
    Svedan (The Burning) , 2024
    Tempera and oil on canvas
    40 x 30 cm
  • Nattsynen (The Night Gaze)
    Pauline Fransson
    Nattsynen (The Night Gaze), 2024
    Tempera, oilstick and oil on canvas
    40 x 30 cm
  • Bugningen (The Bowing) II
    Pauline Fransson
    Bugningen (The Bowing) II , 2024
    Tempera, oilstick, oil and charcoal on canvas
    40 x 30 cm
  • Ljusföroreningen (The Light Polution)
    Pauline Fransson
    Ljusföroreningen (The Light Polution) , 2024
    Tempera and oil on canvas
    30 x 25 cm
  • Den smutsiga jorden (The Dirty Soil)
    Pauline Fransson
    Den smutsiga jorden (The Dirty Soil), 2024
    Tempera and oil on canvas
    30 x 25 cm
  • Syrenhäcken (The Lilac Hedge) II
    Pauline Fransson
    Syrenhäcken (The Lilac Hedge) II , 2024
    Tempera and oil on canvas
    25 x 30 cm
  • Syrenhäcken (The Lilac Hedge) I
    Pauline Fransson
    Syrenhäcken (The Lilac Hedge) I, 2024
    Tempera and oil on canvas
    25 x 30 cm
  • Syrenhäcken (The Lilac Hedge) IV
    Pauline Fransson
    Syrenhäcken (The Lilac Hedge) IV , 2024
    Tempera and oil on canvas
    25 x 30 cm
  • Syrenhäcken (The Lilac Hedge) III
    Pauline Fransson
    Syrenhäcken (The Lilac Hedge) III, 2024
    Tempera, oil and charcoal on canvas
    25 x 30 cm
Press release

Bricks Gallery is pleased to present Nattsyn/Night Gaze, a solo exhibition by Pauline Fransson, with an opening reception on Friday, January 24th, from 5–8 PM. Spanning the entire gallery, this marks Fransson’s second solo exhibition with us and features a new series of oil paintings on canvas in various sizes.

 

The exhibition Nattsyn/Night Gaze explores the connection between the body, the landscape, and the act of seeing. Set in the stillness of night, these works capture moments when perception sharpens or fades, and the landscape transforms into something both familiar and mysterious. Drawing from her own physical and emotional experiences, as well as those of people close to her, Pauline Fransson’s paintings invite viewers to reflect on what it means to experience the world through a body - one that is vulnerable, shaped by pain, and seeking connection with its surroundings.

 

Fransson brings these ideas to life on canvas through layered surfaces and shifting tones. Her paintings reveal a balance of energy and calm, strength and fragility. For example, in Snowblind, muted gray tones soften into brighter whites, eventually exposing bare patches of canvas that suggest emptiness or clarity. This interplay of color and space mirrors the tension between vulnerability and resilience. Other works contrast bold reds and pastel blues emerging from earthy orange hues. While the soft, muted shades indicate calm and introspection, the sharp contrasts and exposed canvas hint at moments of struggle or release.

 

For Fransson, painting is a way to express emotions tied to her physical experiences, transforming landscapes into deeply human spaces. Each brushstroke holds traces of feeling, with colors chosen to reflect specific states of mind. When Fransson paints, she paints with her entire being - her body, emotions, and memories - creating abstract landscapes filled with personal meaning. These pieces go beyond individual expression, inviting viewers to consider what it means to see - not just with their eyes, but with their entire selves. At the same time, Fransson challenges the medium of painting itself, questioning how a two-dimensional surface can convey something as complex as human experience.

 

Text by Amanda Dam

 

Pauline Fransson (b. 1990) is a Swedish artist living and working in Nybro, Sweden. She graduated with an MFA from the Royal Danish Academy of Fine Arts in 2021. Her work has been exhibited in Scandinavia and internationally. Recent exhibitions include ’De blygas längtan’ at Berg Gallery (2024, SE), ’Vi känner i skogen hur marken bär’ at Kalmar Konstmuseum (2024, SE), ’ARDOR’ at Olivia Edwards Gallery (2023, US), and ’Du Krypande Kropp’ at Bricks Gallery (2022, DK).