Installations
Works
  • Ildbatik/Fire Batik 17
    Morten Plesner
    Ildbatik/Fire Batik 17, 2025
    Burned silk on fiberglass
    80 x 50 cm
  • Ildbatik/Fire Batik 15
    Morten Plesner
    Ildbatik/Fire Batik 15, 2025
    Burned silk on fiberglass
    80 x 50 cm
  • Ildbatik/Fire Batik 12
    Morten Plesner
    Ildbatik/Fire Batik 12, 2025
    Burned silk on fiberglass
    80 x 50 cm
  • Vertical Fire 30
    Morten Plesner
    Vertical Fire 30, 2025
    Porcelain, wood ash
    71 x 43 x 15 cm
  • Vertical Fire 27
    Morten Plesner
    Vertical Fire 27, 2025
    Porcelain, bonfire ash
    69 x 39 x 16 cm
    Courtesy of Bricks Gallery
  • Vertical Fire 26
    Morten Plesner
    Vertical Fire 26, 2025
    Porcelain, wood ash
    57 x 38 x 12 cm
    Courtesy of Bricks Gallery
  • Vertical Fire 28
    Morten Plesner
    Vertical Fire 28, 2025
    Porcelain, wood ash
    58 x 30 x 17 cm
  • Vertical Fire 29
    Morten Plesner
    Vertical Fire 29, 2025
    Porcelain, wood ash
    55 x 30 x 16 cm
  • Vertical Fire 31
    Morten Plesner
    Vertical Fire 31, 2025
    Porcelain, wood ash
    56 x 33 x 15 cm
  • PP Cone
    Morten Plesner
    PP Cone, 2025
    Porcelain, wood ash
    36 x 38 x 26 cm
  • PP Cone
    Morten Plesner
    PP Cone, 2025
    Porcelain, wood ash
    24 x 22 x 26 cm
  • PP Cone
    Morten Plesner
    PP Cone, 2025
    Porcelain, wood ash
    24 x 24 x 19 cm
  • PP Cylinder
    Morten Plesner
    PP Cylinder, 2025
    Stoneware, wood ash
    39 x 16 x 17 cm
  • PP Cylinder
    Morten Plesner
    PP Cylinder, 2025
    Stoneware, wood ash
    38 x 15 x 18 cm
  • PP Cylinder
    Morten Plesner
    PP Cylinder, 2025
    Stoneware, wood ash
    33 x 21 x 17 cm
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Press release

Bricks Gallery is pleased to present Remains, a solo exhibition by Morten Plesner, with an opening reception on Friday, June 6, from 5-8 PM. This marks Plesner’s third solo exhibition with the gallery, featuring a new body of ceramic works, spanning both reliefs and freestanding sculptures.

 

In this exhibition, Plesner continues his investigation of controlled chance – a working method that welcomes unpredictability into the creative process through fire-based techniques and site-specific gestures. These processes allow natural forces to intervene in the making of the work, positioning nature not just as a subject, but as a collaborator.

 

The title Remains speaks to a central duality in the exhibition: the works resemble archaeological finds or objects retrieved from the bottom of the ocean, yet they are firmly rooted in the present, shaped by processes that embrace imperfection and the unknown. In this way, the works explore how change, matter, and context shape both form and meaning.

 

For instance, his ceramic reliefs, Plesner uses branches found in the rural landscape near his home in Lejre, Denmark. Each branch is carefully coated with layers of porcelain slip until a ceramic skin forms around the organic structure. The pieces are then glazed with raw wood ash from locally sourced trees – a process through which the chemical composition of each tree visibly affects the surface. The resulting works appear as skeletal remains, both fragile and enduring, shaped by fire and time.

 

As a counterpoint to the reliefs, a group of vessel sculptures occupies the gallery floor. These cylindrical forms balance on cone-shaped bases, like spinning tops caught in stillness. While they might recall ancient clay vessels, they can also suggest objects from an imagined future. Their surfaces bear the unpredictable marks of soda-firing, where flame, ash, and atmosphere shape the final result.

 

Across both reliefs and sculptures, Plesner explores the balance between control and intuition, stability and collapse. The works are at once remnants and witnesses – traces of what once was, and signs of what may come. Together, they reflect his ongoing interest in how transformation, material, and place shape both the work and its meaning over time.

 

Morten Plesner (b. 1979) is a Danish visual artist who lives and works in Lejre, Denmark. Educated as a scenic painter at the Royal Theatre in Copenhagen in 2004, Plesner’s practice spans painting, sculpture, and installation art, often incorporating techniques involving fire, smoke, and other heat-based processes. Recent exhibitions include ‘Daydream Rituals’ at Bricks Gallery (Copenhagen, DK, 2022), ‘Atoll’ at Bricks Gallery (Copenhagen, DK, 2020), and ‘Bobler’ at Museet for Samtidskunst (Roskilde, DK, 2021).