Installations
Works
  • /
    Inka Bell
    /, 2025
    Screen print, laser engraving and nails on paper
    Smoked oak frame with UltraVue glass
    Unframed: 112 x 112 cm
    Framed: 120 x 120 cm
  • Morphing Rectangle
    Inka Bell
    Morphing Rectangle, 2025
    Screen print, laser engraving and nails on paper
    Smoked oak frame with UltraVue glass
    Unframed: 112 x 112 cm
    Framed: 120 x 120 cm
  • Burgundy–Orange–Blue–Black
    Inka Bell
    Burgundy–Orange–Blue–Black, 2025
    Screen print, laser engraving and nails on paper
    Smoked oak frame with UltraVue glass
    Unframed: 56 x 56 cm
    Framed: 64 x 64 cm
  • Erased No. 1
    Inka Bell
    Erased No. 1, 2025
    Screen print, laser engraving and nails on paper
    Waxed solid oak frame with UltraVue glass
    Unframed: 56 x 56 cm
    Framed: 64 x 64 cm
  • 0 to 100
    Inka Bell
    0 to 100, 2025
    Screen print, laser engraving and nails on paper
    Smoked oak frame with UltraVue glass
    Unframed: 56 x 56 cm
    Framed: 64 x 64 cm
  • Erased No. 4
    Inka Bell
    Erased No. 4, 2025
    Screen print, laser engraving and nails on paper
    Waxed solid oak frame with UltraVue glass
    Unframed: 28 x 28 cm
    Framed: 36 x 36 cm
  • Vantage Point
    Inka Bell
    Vantage Point, 2025
    Screen print, laser engraving and nails on paper
    Waxed solid oak frame with UltraVue glass
    Unframed: 28 x 28 cm
    Framed: 36 x 36 cm
    Edition of 10
    Edition of 10
  • Back and Forth
    Inka Bell
    Back and Forth, 2025
    Paper, stainless steel structure
    35 x 18 x 4 cm
  • Either Or
    Inka Bell
    Either Or, 2024
    Paper, stainless steel structure
    28 x 15 x 4 cm
  • Interstice
    Inka Bell
    Interstice, 2024
    Paper, stainless steel structure
    28 x 15 x 4 cm
  • Diagonal
    Inka Bell
    Diagonal, 2025
    Paper, stainless steel structure
    28 x 15 x 4 cm
  • Oscillation
    Inka Bell
    Oscillation, 2025
    Screen print, paper, stainless steel structure
    28 x 15 x 4 cm
  • Argyles
    Inka Bell
    Argyles, 2025
    Screen print, paper, stainless steel structure
    29 x 14 x 4 cm
  • Lilac and Green Shifting
    Inka Bell
    Lilac and Green Shifting, 2024
    Paper, stainless steel structure
    25 x 14 x 4 cm
  • Red and Turquoise Shifting
    Inka Bell
    Red and Turquoise Shifting , 2024
    Paper, stainless steel structure
    25 x 14 x 4 cm
  • Soft Spikes
    Inka Bell
    Soft Spikes, 2025
    Paper, stainless steel structure
    32 x 16 x 16 cm
  • Ovals
    Inka Bell
    Ovals, 2025
    Paper, stainless steel structure, custom shelf
    22 x 16 x 16 cm
  • Sequences 3
    Inka Bell
    Sequences 3, 2024
    Paper, acrylic, stainless steel structure
    Custom shelf
    24 x 14 x 14 cm
  • Six Stages of Black and White
    Inka Bell
    Six Stages of Black and White, 2025
    Paper, stainless steel structure
    100 x 7 x 7 cm
  • Corner Piece
    Inka Bell
    Corner Piece, 2025
    Paper, stainless steel structure
    52 x 8 x 8 cm
  • Rotating
    Inka Bell
    Rotating, 2025
    Paper, stainless steel structure, wire
    465 x 5 x 5 cm



KINDLY NOTE:

· All prices and availabilities listed are subject to change without notice.
· Prices does not include shipping, however we would be happy to arrange this.
· Prices on paperworks does not include framing, however we would be happy to arrange this.
· International costumers are responsible for applicable duties and import fees.
· Bricks Gallery performs client due diligence for transactions above USD 8.000.
· Enquire via email: hello@bricksgallery.dk or phone: +45 42 95 47 26
Press release

Bricks Gallery is pleased to present Cycles, a solo exhibition by Inka Bell, with an opening reception on Friday, April 25, 5-8 PM. This marks Bell’s second solo exhibition with the gallery, featuring her signature paper works across reliefs and sculpture. In addition, a series of framed collage works will be on view.

 

In this exhibition, Inka Bell continues her exploration of paper as both sculptural and visual material. Often working with geometric forms - such as rectangles, triangles, and circles - she examines how shape, color and surface interact to create a sense of movement and spatial interplay. Though her works are static, they appear to shift and evolve, as if one form is slowly transforming into another. Whether in her sculptures or screen prints, the compositions seem caught in a quiet state of change.

Bell’s practice centers on the relationship between two- and three-dimensional space. Her works unfold between the flat and the spatial, inviting close observation. Elements may appear to shift depending on our viewpoint; what initially seems like a flat surface might reveal depth or layering upon further inspection. Nothing is ever truly fixed - everything remains quietly in motion.

 

In her sculptures and reliefs, Bell creates each paper component through a measured and structured approach, which she then assembles by hand - balancing control with a tactile, intuitive process. This interplay between structure and sensitivity also extends to the materials themselves, where the firmness of stainless steel coexists with the delicate fragility of paper.

 

In Cycles, Bell continues to expand the expressive potential of paper - both as a material and as a medium for sculptural thinking. Her works offer a quiet yet insistent invitation to look again, to move slowly, and to consider how form, space, and perception are always in flux.

 

Text by Amanda Dam

 

Inka Bell (b. 1981) is a Finnish visual artist based in Helsinki, known for her work in printmaking, paper sculptures, and public installations. She holds an MFA from the Academy of Fine Arts at the University of the Arts Helsinki (2021). Recent exhibitions include ’Rock, Paper, Scissors’ at the Museum of Contemporary Art Kiasma (2025) and ’Experiments in Concretism’ at EMMA – Espoo Museum of Modern Art (2024). She was awarded the William Thuring Main Prize in 2024 and nominated for the Queen Sonja Print Award in both 2024 and 2020. Her works are included in significant Finnish public art collections, as well as in the European Parliament’s Contemporary Art Collection.

 

The exhibition is kindly supported by Kone Foundation and Arts Promotion Centre Finland.